Monday, 26 October 2015

Workshop Two

Book Cover Brief

Penguin Classics

I chose to illustrate John Steinbeck's, The Grapes of Wrath. Steinbeck is one of my favourite authors and although it is one book I had not actually read, I was drawn to this title to illustrate. The story is about  a mass exodus following an exceptionally long drought. Although I was in Paris when the workshop was taking place, I set about completing the task with the same time frame as was given, as this was another chance to experience working in the real world of illustration.
Thumb nails

Thumb nails

I considered the content of the narrative very carefully, as I wanted to ensure that this was communicated to the viewer. It was also important to me to ensure the design was of the era, 1930s, whilst subsuming a post-modern demeanour that would attract attention, yet be right at home on the shelf in a book shop around the corner.  I think that I succeeded in all of the above by combining the use of an authentic variable nib dip pen and ink with a digital, yet classic, gradient colour scheme and a distinct Art Deco influenced composition.

Rough


Due to my working on this brief simultaneously with brief number three, I had discovered the joy and beauty of the Risograph printer and decided to print this illustration on said printer. I had learned that it was possible to use it to reproduce gradients with a variable controllable speckle, and the end result was a great success. I intend to produce a set of limited edition prints to sell.

Rough colour


Feedback from Georgina was very positive and encouraging, especially as it was all a bit of an experiment, working in ways that were new to me, particularly the digital aspect. Mark also commented, saying it was one of my most successful pieces so far, a great compliment.

Final drawing


I was reassured that it was a successful illustration, with peer feedback which affirmed my intentions.

Digital shading/colour separation layer


Final Outcome

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