Book Cover Brief
Penguin Classics
I chose to illustrate John Steinbeck's, The Grapes of Wrath. Steinbeck is one of my favourite authors and although it is one book I had not actually read, I was drawn to this title to illustrate. The story is about a mass exodus following an exceptionally long drought. Although I was in Paris when the workshop was taking place, I set about completing the task with the same time frame as was given, as this was another chance to experience working in the real world of illustration.| Thumb nails |
| Thumb nails |
I considered the content of the narrative very carefully, as I wanted to ensure that this was communicated to the viewer. It was also important to me to ensure the design was of the era, 1930s, whilst subsuming a post-modern demeanour that would attract attention, yet be right at home on the shelf in a book shop around the corner. I think that I succeeded in all of the above by combining the use of an authentic variable nib dip pen and ink with a digital, yet classic, gradient colour scheme and a distinct Art Deco influenced composition.
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| Rough |
Due to my working on this brief simultaneously with brief number three, I had discovered the joy and beauty of the Risograph printer and decided to print this illustration on said printer. I had learned that it was possible to use it to reproduce gradients with a variable controllable speckle, and the end result was a great success. I intend to produce a set of limited edition prints to sell.
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| Rough colour |
Feedback from Georgina was very positive and encouraging, especially as it was all a bit of an experiment, working in ways that were new to me, particularly the digital aspect. Mark also commented, saying it was one of my most successful pieces so far, a great compliment.
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| Final drawing |
I was reassured that it was a successful illustration, with peer feedback which affirmed my intentions.
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| Digital shading/colour separation layer |
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| Final Outcome |





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